The Effect of Low-Application Terms of Music on Detection of Hafez Ambiguities

Document Type : Original Research

Authors
1 Assistant Professor, Department of Persian Language and Literature, Imam Khomeini International University
2 Assistant Professor, Department of Persian Language and Literature, ATU
Abstract
The terms music have an important influence on the ambiguities of Hafez. Some of these terms are obvious and widely used, and their meaning is easy to understand and it is easy to understand their ambiguities but some of them are hidden and underutilized and their ambiguities are difficult to understand, even for musicians and critics. That’s why their discovery and explanation has a greater literary value. In this article, which is based on a long research project after a brief discussion of Hafez's relationship with music types of ambiguity and communication of ambiguity and knowledge of the audience we have explored and explained the hidden ambiguities of Divan Hafez that it is based on hidden terms and underutilized terms of music, Terms like:
 «Ø¨Ù‚ا»ØŒ «Ø­Ù„قه»ØŒ «Ø®Ø§Ù†Ù‡»ØŒ «Ø®Ø²Ø§Ù†»ØŒ «Ø¯ÙŽÙˆØ±»ØŒ «Ø¯ÛŒØ± راهب»ØŒ «Ø±ÙŽÙˆ»ØŒ «Ø±ÙˆØ§Ù†»ØŒ «Ø³Ø±Ùˆ»ØŒ «Ø´Ø§Ø®»ØŒ «Ø·Ø±Ø²»ØŒ «ØºÙ…‌زده»ØŒ «Ú©Ø§Ø±Ø³Ø§Ø²» و «Ú¯Ø±ÙØª».
Our criterion in identifying these terms has been specialized music dictionaries and in some cases dictionaries based on old texts.
 

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Articles in Press, Accepted Manuscript
Available Online from 15 May 2026