Introduction to the Manuscript Version of Ganjina Raz with a Reflection on Three Verses of   Khames Nizami in this Version and Comparing it with Available Explanations

Davri, Khadige; Chatrai, Mehrdad; Noorin, Mehdi

doi:2634.20.82.59

Introduction to the Manuscript Version of Ganjina Raz with a Reflection on Three Verses of Khames Nizami in this Version and Comparing it with Available Explanations

Document Type : مقالات علمی پژوهشی

Authors

K. Davri

M. Chatrai

M. Noorin

2634.20.82.59

Abstract

Ganjinh raz manuscript is the work of Owais Ibn Ghiasuddin Mohammad Rostamdari, one of the writers of the tenth century AH in the Safavid period. His name is not in the notes. His only work in the list of manuscripts is Ganjinh raz. In this version, Rostamdari describes verses from Khamsa Nezami and three poems from the Divan of Nasser Khosrow, the interpretation of verse 35 from Surah Noor and verse 172 from Surah Al-Ahzab. In this article, the necessity of writing Ganjinh raz in the Safavid era, introducing the manuscripts, analyzing and comparing one bit of Makhzan al-Asrar and two bits of Khosrow and Shirin Nezami in Ganjinh raz with the available explanations are provided. The results of this article are that the appearance of some verses in this version differs from the existing recordings. The idea of a romantic relationship between Tazhrv and Sahrv does not seem correct. Because in the verses that are in the form of Masnavi, according to the necessity and lack of rhyme, Tazhrv and Sarhv have been rhymed

together. Or it is the name of a person. In addition, in some verses, it is mentioned that it is weak, crooked, and the beauty of Tazhrv feathers. In the two verses of Khosrow and Shirin, Japheth nahadan is a compound verb and means to exchange and exchange, and Gorbehbid is not in any of the ancient texts of Persian poetry and has no roots in Persian.

Keywords

Ganjineh raz

Oveys bin Ghiasuddin Mohammad Rostamdari

Description of Makhzan al-Asrar

Description of Khosrow and Shirin Nizami