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The translation of Molana's books as a one of the greatest literary works of Persian literature is considerable with the modern theories of translation's skills, structurally and contently. Antoine Berman with his theory "Endances eformantes" (deconstruction tendencies), emphasized on the importance of the others and underscored the main text and he believed that the translators must be respect the first text and be faithful toward it.  In this paper, we examine the Arabic translation of Diwan Shams by Ibrahim Al- Dosooghi Shatta, with using the seven parameters of Berman's theory: Rationalization, Clarification, Ennoblement, Glorification, and the Destruction of underlying Networks of Signification, Quantitative and Qualitative impoverishment. The conclusion shows that the main reasons of deviation in Arabic translation from Diwan Shams of Molana belongs to:  translator's lack of acquaintance to Persian language, the grammatical and lexical differences between Arabic and Persian and naturally it is resulting from the unconformity of culture, civilization, and tradition of these two nations.
 
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Keywords: Molana's Diwan Shams, Mokhtarat min Diwan Shamsoddin Tabrizi, Ibrahim Al- Dosooghi Shatta, Antoine Berman, Endances eformante.

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