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Farhad Tahmasebi, PH.D.
Zohreh Saremi
 
Abstract
 
This article aims to analyze the process of depiction based on thoughts and imagination, through maintenance of the identity of displays. A structure is taken into consideration under the headings of central picture, tools of depiction, tone of depiction, function of depiction, and the imaginations regarding the text. Thereafter, different types of picture are introduced and identified based on shallow and in-depth views; lack of dynamism and dynamism, cinematic view, and open, large scale, restricted, closed and independent manifestations. This study has been based on research of manifestations of Shamlou’s poems, while eyeing different periods of poetry, and the criterion of shortness and pictorial nature of poems.
The research outcomes reveal a bond between the manifestations and fiber of poems in the works of Shamlou. Dynamic, cinematic, and in-depth manifestations are frequent in his poetry. The analysis of manifestations in the poems of Shamlou, show the rebellious and critical approach of Shamlou’s poems which are the result of his social and personal life.
 

Keywords: Key Terms: manifestations and thoughts in modern poetry, tone and mentality of depictions in the poems of Shamlou, poetic capacities in Shamlou’s verse

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