Volume 3, Issue 9 (2006)
LIRE 2006, 3(9): 151-180 |
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Romantic image; theoretical principles, nature and application. LIRE 2006; 3 (9) :151-180
URL: http://lire.modares.ac.ir/article-41-37307-en.html
URL: http://lire.modares.ac.ir/article-41-37307-en.html
Abstract: (2367 Views)
Fotoohi . M. , PH.D.
Abstract
This essay is concentrated on Romantic Image. Romantic Image essentially is deferent with classic, symbolic, Surrealistic and imagistic Image, in nature and aesthetic. The author sets forth essence of romantic Image in three sections: The first section explains four special feature of Romantic Image 1) poet's transmutation in nature and things 2) images as shadow 3) running images and 4) individual aspect of image). The second section discusses the relation between images and their places in context of poem with two features of connection and running. The third section explains three functions of romantic images. The final part deals with the metaphoric pole of language in romantic writings.
This essay is aimed at distinguishing classical and romantic imagination and set forth process of creature, value of aesthetics and origin of image insights in these kinds of writing.
Keywords: Romanticism, Persian romanticism, Romantic Image, Aesthetic of romantic image, Context, metaphoric pole of Romanticism, Persian romanticism, Romantic Image, Aesthetic of romantic image, Context, metaphoric pole of language, Organic
Article Type: مقالات علمی پژوهشی |
Subject:
Literary schools
Received: 2019/10/13 | Accepted: 2019/10/13 | Published: 2019/10/13
Received: 2019/10/13 | Accepted: 2019/10/13 | Published: 2019/10/13
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