Volume 2, Issue 6 (2004)
LIRE 2004, 2(6): 123-146 |
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Music of Rhyme in M. Sereshk’s Poetry. LIRE 2004; 2 (6) :123-146
URL: http://lire.modares.ac.ir/article-41-37209-en.html
URL: http://lire.modares.ac.ir/article-41-37209-en.html
Abstract: (4276 Views)
Omranpour ,M.R.,Ph.D.
This article is going to analyses rhyme in Nimaic Poems by Shafii kadkani. Therefore, Nimaic poems is extracted from the first two hundreds pages of The book Second Millenniumof the gazelle (Hazareh-ye-Dovom-e-Ahou-ye-Kouhi) including “Elegies on Kashmar’s Cypres” (Marthieha-ye-Sarv-e- Kashmar) “a line on Dejection” (Khati- Ze- Deltangi) and a part of “A Sonnet for the Sunflower” (Ghazal- Baraie- Gol-e- Aftabgardan) and are discussed based on various rhyme schemes.
Shafii Kadkani is aware of the miraculous power of rhyme and exploits different possibilities of rhyme for creation of devise music, link between utterances and etc. Rhyme in his poems can be studied variously. This article is based on analysis of internal rhymes, double rhymes, mixed rhymes and etc. The major element in the aesthetic analysis of his poetry is applicable to those rhymes in which he has innovation and creates parallel rhymes, balanced rhymes, etc. The result is indicates that he is more inclined to use balanced rhymes.
This article is going to analyses rhyme in Nimaic Poems by Shafii kadkani. Therefore, Nimaic poems is extracted from the first two hundreds pages of The book Second Millenniumof the gazelle (Hazareh-ye-Dovom-e-Ahou-ye-Kouhi) including “Elegies on Kashmar’s Cypres” (Marthieha-ye-Sarv-e- Kashmar) “a line on Dejection” (Khati- Ze- Deltangi) and a part of “A Sonnet for the Sunflower” (Ghazal- Baraie- Gol-e- Aftabgardan) and are discussed based on various rhyme schemes.
Shafii Kadkani is aware of the miraculous power of rhyme and exploits different possibilities of rhyme for creation of devise music, link between utterances and etc. Rhyme in his poems can be studied variously. This article is based on analysis of internal rhymes, double rhymes, mixed rhymes and etc. The major element in the aesthetic analysis of his poetry is applicable to those rhymes in which he has innovation and creates parallel rhymes, balanced rhymes, etc. The result is indicates that he is more inclined to use balanced rhymes.
Article Type: مقالات علمی پژوهشی |
Subject:
Aesthetics of Poetry
Received: 2019/10/9 | Accepted: 2019/10/9 | Published: 2019/10/9
Received: 2019/10/9 | Accepted: 2019/10/9 | Published: 2019/10/9
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