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This article focuses on application of continuous and free themes, comparatively studying the themes of Gonbad-e Siah and Gonbad-e Meshkin myths. These themes maintain a temporal-caustic relationship and lack the temporal element, while describing a thing and/or a mood. In both narrations, the continuous themes are considered as fixed and unchangeable elements of the story. However, the terms of usage of the capacities of free themes in these two narrations differs. Nezami, in contrast to Amir Khosrow, appropriately uses these capacities. The secondary element of description helps advance the story by depiction objects and locations and registers believable times and locations for these events. The narrator, via apparent incidents, and psychological means, especially ethical topics, delays the readout of the text, leading to creation of a highly attractive narration.

Keywords: Analysis of Nezami’s poems, study of narrations in Nezami’s poems, themes in classic Farsi poems

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