Volume 17, Issue 68 (2020)
LIRE 2020, 17(68): 9-40 |
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Eskandari A, fallah M. The ambiguity of musical appropriateness in the Divan of Qaani. LIRE 2020; 17 (68) :9-40
URL: http://lire.modares.ac.ir/article-41-50005-en.html
URL: http://lire.modares.ac.ir/article-41-50005-en.html
1- , Mfallah@yazd.ac.ir
Abstract: (2997 Views)
The influence of music on the human soul has led poets and writers to use this important element to express different meanings and terms. One of the poets who has mastered the conceptual, emotional, and aesthetic aspects of his poetry through the use of musical terms is Qaani a poet of the Literature Return Era; He has had ample information about the ancient music and has used the words and idioms of this music even the least used terms in his poetry. He has also been influenced by the music culture of his time and named new instruments such as tar and santour. All of these have paved the way for creating the musical equivocation fitness. This paper is an attempt to clarify Qa'ani's attention toward musical equivocation and the musical terms and idioms used by him.
Article Type: Original Research |
Subject:
Classical literature
Received: 2020/01/22 | Accepted: 2020/07/21 | Published: 2020/10/21
Received: 2020/01/22 | Accepted: 2020/07/21 | Published: 2020/10/21
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