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Mohsen Zolfeghari,PH.D.
Seyedeh Zahra Moosavi,PH.D.
Yusef Asghari Bayaghut
 
Abstract
 
Although in the past rhetorical books and modern works, a little emphasis was made on the theme “abandoning religious tradition” with evidence and inconclusive evidences, an independent discussion about “sharia and image” in the works of poets especially Khaghani was not taken into account. “Image” and “sharia” and coordination of these two dictums and the manner of their application and procedure in the work of Khaghani are the main axes of the current paper. Showing the pace of “sharia” in “images” of the poems of Khaghani, the rate of attention and perspective of the poet towards religious personalities, almighty god, prophet Mohammad and, rest of prophets and imams, sacred household and women in the imagination of Khaghani, religious and impersonal elements, places of holy Quran and Hadith in the images of Khaghani and their analysis and applications are some of the important aspects and ambiguities that this paper tries to answer.
 

Keywords: Khaghani’s Poetry, Tradition & Image in Khaghani’s Work, Analysis of Classical Persian Poetry

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