Volume 12, Issue 48 (2015)
LIRE 2015, 12(48): 35-54 |
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Study of Shavashi dialog in the tale of Siavash. LIRE 2015; 12 (48) :35-54
URL: http://lire.modares.ac.ir/article-41-37774-en.html
URL: http://lire.modares.ac.ir/article-41-37774-en.html
Abstract: (4444 Views)
Fahimeh Khorasani. PH.D
gholam Hussein Gholam Husseinzadeh. PH.D
Hamid Reza Shabari. PH.D
Abstract
In Shavashi dialog, the dialog is mainly a function of emotional conditions. This means that this dialog system is not based on acts, and the connotation of the text is shaped upon the relationship of the supporters of this dialog system with the elements surrounding the text. Two sub-groups of perceptive and emotional dialogs go under the heading of Shavashi dialog system. In these two dialog sub groups, senses, perception, and emotional tensions of the Shavashi dialog followers maintain the highest contribution to creation of the text’s connotation. In this manner, the literary work goes beyond a solely structural dialog and its inner relations are challenged. The perceptive dialog manifests the active presence of five senses of mankind in formation of meaning and the emotional system has also studied the spiritual and emotional tensions of the followers of Shavashi dialog in a bid to elaborate their role in formation of different connotative conditions. In this research, the story of Siavash in Shahnameh is studied and it will be stated that the characters of this story have gone beyond acting and the majority of their acts and behaviors are considered within the framework of Shavashi dialog. In this manner, their outward sentiments are observed within the framework of perceptive dialog and via five senses, while their inner tensions and sentiments are specified via emotional dialog. Shavashi dialog puts behind pure structuralism and goes beyond an apparent categorization and an objective readout, creating the text’s connotation with due regard to dialog systems. Thus, we will encounter a live and dynamic perceptive system.
gholam Hussein Gholam Husseinzadeh. PH.D
Hamid Reza Shabari. PH.D
Abstract
In Shavashi dialog, the dialog is mainly a function of emotional conditions. This means that this dialog system is not based on acts, and the connotation of the text is shaped upon the relationship of the supporters of this dialog system with the elements surrounding the text. Two sub-groups of perceptive and emotional dialogs go under the heading of Shavashi dialog system. In these two dialog sub groups, senses, perception, and emotional tensions of the Shavashi dialog followers maintain the highest contribution to creation of the text’s connotation. In this manner, the literary work goes beyond a solely structural dialog and its inner relations are challenged. The perceptive dialog manifests the active presence of five senses of mankind in formation of meaning and the emotional system has also studied the spiritual and emotional tensions of the followers of Shavashi dialog in a bid to elaborate their role in formation of different connotative conditions. In this research, the story of Siavash in Shahnameh is studied and it will be stated that the characters of this story have gone beyond acting and the majority of their acts and behaviors are considered within the framework of Shavashi dialog. In this manner, their outward sentiments are observed within the framework of perceptive dialog and via five senses, while their inner tensions and sentiments are specified via emotional dialog. Shavashi dialog puts behind pure structuralism and goes beyond an apparent categorization and an objective readout, creating the text’s connotation with due regard to dialog systems. Thus, we will encounter a live and dynamic perceptive system.
Article Type: مقالات علمی پژوهشی |
Subject:
Myth
Received: 2019/10/28 | Accepted: 2019/10/28 | Published: 2019/10/28
Received: 2019/10/28 | Accepted: 2019/10/28 | Published: 2019/10/28
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