Abstract:
Baha-e-Valad’s
Ma’aref is among the texts known to have had a strong bearing on Molavi’s thinking and discourse. Molavi’s special interest in
Ma’aref is reflected in his own works. Jalaluddin’s
Masnavi-e-Ma’navi seems to be especially influenced by the
Ma’aref as far as structural and thematic organization are concerned. The contents of the
Masnavi and its improvisation style as well as the numerous associations it carries are strongly reminiscent of Baha-e-Valad’s
Ma’aref. This very article addresses the shared features and intertextual relations of the
Ma’aref and the
Masnavi from the viewpoint of storytelling. In addition to the stories Molavi has directly adopted from the
Ma’aref to only give them a more artistic treatment according to his superb storytelling taste, there is yet another subject which deserves due attention: narrative exploitation of the characters and discourses built into the
Ma’aref as well as common narrative hints and allusions, structural suspense and discontinuities, and thematic turns or abrupt changes in oratory eloquence style and discourse.
Article Type:
مقالات علمی پژوهشی |
Subject:
Classical literature Received: 2019/10/15 | Accepted: 2019/10/15 | Published: 2019/10/15