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Sociological criticism in the literature analyzes the structures of a society through literary works. Embracing subjects concerning history and sociology links, types, social classes, ideologies, meaningful frameworks, and reflection theory in examining the artworks, Lucian Goldman, as a theoretician, proposed the genetic structuralism by organizing George Lucas ideas. Based on this method, the present study aimed to sociologically criticize the drama play by Akbar Radi, under the name of Ofool (The Descent).To do so, two major questions were designed to investigate the extent to which aesthetic structure of Ofool as a realistic work has a mutual relationship with the structure of the society in its era (۱۹۶۰s). It also explored the realization of the playwright's ideology, as a member of the intellectuals' social class, and the likely awareness of this social class in his literary work. Using descriptive as well as analytical approach, the study concluded that the overall framework of Ofool justified the why of social movements' failure in the ۱۹۶۰s and the pathology of that era via the representation of different social classes and the gaps among them. The author tried not to impose his ideology on the work and kept his play loyal to the realistic style although he reflected the values and consciousness of the intellectuals' social class in his literary work.

Keywords: Genetic structuralism, Generation gaps, Akbar Radi, Play Ofool.

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