Document Type : Original Article
Author
Assistant Professor, Department of Persian Language and Literature, ka. C, Islamic Azad University, Karaj ,Iran
Abstract
This study, relying on the theoretical framework of Giorgio Agamben, the contemporary Italian philosopher, reexamines the concept of "persistence" in the novel I Love Manchester United by Mehdi Yazdani Khorram. Agamben, through concepts such as the state of exception, bare life, testimony, and embodied memory, demonstrates that the suspension of law reduces humans from citizens to bare life, stripped of official protection; a life that continues solely through the body and tangible experience. In light of this perspective, Yazdani Khorram’s novel, with its fragmented structure and polyphonic narratives, presents an image of Tehran at historical turning points such as September 1941 and winter 1952. The characters’ bodies—like the student ill with history, the old man from Dezful, the murdered woman in the square, the accidental wrestler, the crying worker murderer, and the fat man collaborating with the Nazis—serve as a "living archive" and carry the memory of resistance or subjugation. These bodies, by continuing to live amid chaos, reveal a new form of persistence that, according to Agamben’s logic, is "survival in the state of exception." The research method is qualitative, analytical-interpretive, and based on combining Agamben’s concepts with the phenomenology of the body. The aim is to transfer the concept of persistence from the level of ideology and heroism to the level of appearance and embodiment, where the continuation of life and memory itself counts as an act of resistance.
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